Re: Set-Up for Ripping
(THIS IS A BIG ONE w/ATTACHMENTS; PLEASE BEAR WITH ME)
PLEASE READ "OVERVIEW – PART 1 (ATTACHED)
THE PART 2 IS ATTACHED TO A SECOND POST THAT FOLLOWS THIS DIRECTLY
It's been over three months since I last posted; I've been busy with termites in the attic, travel to Oregon to see the gorgeous scenery and total eclipse, and doing my taxes.
During that hiatus, much of what you forum posters have patiently taught me seems to have gelled. I've re-read the entire thread, and ripped some disks as you all have suggested.
Now, to wrap my mind around it completely and not forget it, I've written up a overview summary covering the basic elements of dbpa and network music playing.
I would have loved to find such an overview readily available just a click away, when I began the learning process. I think, it condenses in a concise summary the definitions and relationships that I, as a beginner, have struggled with for some months, and which I believe form a necessary starting point in order to use dbpa. I realize this overview is not the whole story and still lacks important detail but it does speak to the basic lack-of-understanding that plagued me in the beginning.
Early on I was told that there is no white paper that describes these fundamentals in simple terms, and so I offer this overview to the Forum and to dbps for two purposes:
1) I hope you all will read it and correct the errors I surely have made, so I can learn.
2) I offer it to all as the white paper that is missing to help other individuals that are trying to learn the system; it constitutes, in the main, what I wish I'd been able to read when I began this process. All of you on the Forum have been so patient and helpful; let this be my contribution.
My hope is that all of you who have been helping me will go beyond correcting mistakes, but will, seeing the areas that I've not addressed, write your own pieces to fill those in and complete the job I've begun (sort of like fleshing out Wikipedia).
It is my further hope that dbps will see the benefit they can gain by having such a white paper linked to their software from a "Help" button prominently displayed on the dbpa main page. In dbpa, Illustrate has the best ripping software in the industry, so there is no reason they shouldn't become the leader in standardizing industry terminology, and in providing education to potential customers, while documenting its software. With a little input from this strong Forum community, that can become a reality. Spoon could curate this effort.
Much of what this overview covers is obvious (dare I say trivial and completely unnecessary) for users who are experienced with dbpa, but for those just starting out, I believe a compact and cogent overview is essential in order to get the lay of the land right up front and know what's going on, and even to understand what they read in the Forum.
It's also entirely possible that I've got it ALL WRONG, in which case I'd better find that out.
I've attached the Overview as a PDF file to preserve the Word formatting I used when writing it. I hope you will open and read it, then tell me if and where I go off the rails.
Below, I've listed some specific questions that I still don't understand, and I hope to learn the answers so I can proceed with confidence and complete the job; my wife is impatient.
1. Regarding folder structure, here's what I think I want. (I remain open to critique and suggestions on this score):
Non-classical: genre\artist\album\disk no.\composer
Classical: genre\composer\album\disc no.\artist
I do want to include the option of using "compilation"
Would any of you be open to, once again, specifying specifically the naming strings that will accomplish the above? I realize you have done this before but I've been generously offered so many strings throughout this long conversation I've lost track, and since I can't decode them to confirm what they do I'm a bit lost; the above is what I think I should start with. (As always, I welcome your critique and comments.)
In some of the naming strings that have been offered I see the term "title." Are song name set up in the Naming string or do they just appear anyway?
garym, I believe it was you who asked why I "resist leading off with composer." I think the reason is because I don't always know or remember a composer's name, particularly for non-classical but can remember the album or work name. Shades of LP albums on the shelf.
2. I'd like multi-disc CD sets to play the discs one after the other automatically without intervention on my part. On the other hand, I take seriously the suggestions that I put each disk in its own folder. Will doing this negate automatic sequential playing?
If possible, I'd like the disc nos. to show as 1/2, 2/2, etc. in the disk column (not as part of the name)
3. I'm confused by Album Artist vs. Artist. What is the specific definition of each?
Further, Blusound says that their app (BluOS) doesn't recognize "Album Artist" or use it. What does this portend?
4. I am a bit confused about Compilations (which I guess inserts "various artists" for Album Artist). But what happens with multiple composers, and multiple "Artists"?
5. How do I handle a CD that contains two complete works? One of you spoke to this issue, however the answer involved two possibilities, one of which required "offsets," which truly mystify me.
6. Title: I'm a bit confused about "title." First, I don't see a clear definition for "title." Is it CD title, music title, song title, album title, work title, or what?
When the word title is use along, without a qualifier, it is ready-made ambiguity.
I note that "title" is used as the name of a song; is it used in any other way?
As I understand it, there is no "title" tag-group and therefore no title in the Naming Structure (although I've see that word in Naming strings that have been suggested). What's up?
The title of a work or CD seems pretty important element, so I'm wondering if the intent is for "Album" to serve as a stand-in for the title of the piece?
Further, I notice that in the online suggestions under the tag icon some of the song titles also contain Name, Genre, and Act, all together in the Title. How/why did those get there? Why not just the song name? (I realize that this info came from other peoples rips, but why/how would "title" accumulate data on genre, and act, etc.in the first place?
I'm confused on this whole title issue.
7. It has been suggested I use different naming strings for classical vs. non-classical. If one rips classical under one Naming string, and NC under a different string, do each of those Naming formats create its own folder-tree in the File Explorer? If not, how to they "interleave" together given that they are different structures?
8. Is it true that dbpa does not intend for users to write their own Naming strings but to always get them from the Forum.? Given that the only way to arrive at the desired folder structure is through trial-and-error, that means repeated experimentation, and that means repeated queries to the Forum. With thousands of users, all experimenting repeatedly to get the job done, that seems like an untenable business model.
There is, indeed, some sketchy info under the "?" symbols, but I find no fundamental tutorial for beginners about how to create meaningful Naming strings. I'm at a loss when it comes to Naming strings.
9. When genre is "classical" or "opera" dbpa presents options for "Work," "Movement number," "movement count," and "Movement name." Are these categories used in the Naming string as are the other categories like composer, artist, etc. or are they simply carried into the listing as additional information?
Is it true that these properties are recognized only by iTunes?
10. When I have a two-disc set, and put each disc in its own folder, as is often recommended, are the two linked in some way so that the player knows to oplay the second disc automatically following the first? I realize the playing of the music is a function of Tags (not naming) but is the sequential playing handled automatically or do I need to link the two disks somehow? Most operas take two or more discs and I'd like to be able to just select the opera by name once, and get all of it.
------------------------------------
Don't forget to open the Overview attachments Part 1, and Part 2.
(THIS IS A BIG ONE w/ATTACHMENTS; PLEASE BEAR WITH ME)
PLEASE READ "OVERVIEW – PART 1 (ATTACHED)
THE PART 2 IS ATTACHED TO A SECOND POST THAT FOLLOWS THIS DIRECTLY
It's been over three months since I last posted; I've been busy with termites in the attic, travel to Oregon to see the gorgeous scenery and total eclipse, and doing my taxes.
During that hiatus, much of what you forum posters have patiently taught me seems to have gelled. I've re-read the entire thread, and ripped some disks as you all have suggested.
Now, to wrap my mind around it completely and not forget it, I've written up a overview summary covering the basic elements of dbpa and network music playing.
I would have loved to find such an overview readily available just a click away, when I began the learning process. I think, it condenses in a concise summary the definitions and relationships that I, as a beginner, have struggled with for some months, and which I believe form a necessary starting point in order to use dbpa. I realize this overview is not the whole story and still lacks important detail but it does speak to the basic lack-of-understanding that plagued me in the beginning.
Early on I was told that there is no white paper that describes these fundamentals in simple terms, and so I offer this overview to the Forum and to dbps for two purposes:
1) I hope you all will read it and correct the errors I surely have made, so I can learn.
2) I offer it to all as the white paper that is missing to help other individuals that are trying to learn the system; it constitutes, in the main, what I wish I'd been able to read when I began this process. All of you on the Forum have been so patient and helpful; let this be my contribution.
My hope is that all of you who have been helping me will go beyond correcting mistakes, but will, seeing the areas that I've not addressed, write your own pieces to fill those in and complete the job I've begun (sort of like fleshing out Wikipedia).
It is my further hope that dbps will see the benefit they can gain by having such a white paper linked to their software from a "Help" button prominently displayed on the dbpa main page. In dbpa, Illustrate has the best ripping software in the industry, so there is no reason they shouldn't become the leader in standardizing industry terminology, and in providing education to potential customers, while documenting its software. With a little input from this strong Forum community, that can become a reality. Spoon could curate this effort.
Much of what this overview covers is obvious (dare I say trivial and completely unnecessary) for users who are experienced with dbpa, but for those just starting out, I believe a compact and cogent overview is essential in order to get the lay of the land right up front and know what's going on, and even to understand what they read in the Forum.
It's also entirely possible that I've got it ALL WRONG, in which case I'd better find that out.
I've attached the Overview as a PDF file to preserve the Word formatting I used when writing it. I hope you will open and read it, then tell me if and where I go off the rails.
Below, I've listed some specific questions that I still don't understand, and I hope to learn the answers so I can proceed with confidence and complete the job; my wife is impatient.
1. Regarding folder structure, here's what I think I want. (I remain open to critique and suggestions on this score):
Non-classical: genre\artist\album\disk no.\composer
Classical: genre\composer\album\disc no.\artist
I do want to include the option of using "compilation"
Would any of you be open to, once again, specifying specifically the naming strings that will accomplish the above? I realize you have done this before but I've been generously offered so many strings throughout this long conversation I've lost track, and since I can't decode them to confirm what they do I'm a bit lost; the above is what I think I should start with. (As always, I welcome your critique and comments.)
In some of the naming strings that have been offered I see the term "title." Are song name set up in the Naming string or do they just appear anyway?
garym, I believe it was you who asked why I "resist leading off with composer." I think the reason is because I don't always know or remember a composer's name, particularly for non-classical but can remember the album or work name. Shades of LP albums on the shelf.
2. I'd like multi-disc CD sets to play the discs one after the other automatically without intervention on my part. On the other hand, I take seriously the suggestions that I put each disk in its own folder. Will doing this negate automatic sequential playing?
If possible, I'd like the disc nos. to show as 1/2, 2/2, etc. in the disk column (not as part of the name)
3. I'm confused by Album Artist vs. Artist. What is the specific definition of each?
Further, Blusound says that their app (BluOS) doesn't recognize "Album Artist" or use it. What does this portend?
4. I am a bit confused about Compilations (which I guess inserts "various artists" for Album Artist). But what happens with multiple composers, and multiple "Artists"?
5. How do I handle a CD that contains two complete works? One of you spoke to this issue, however the answer involved two possibilities, one of which required "offsets," which truly mystify me.
6. Title: I'm a bit confused about "title." First, I don't see a clear definition for "title." Is it CD title, music title, song title, album title, work title, or what?
When the word title is use along, without a qualifier, it is ready-made ambiguity.
I note that "title" is used as the name of a song; is it used in any other way?
As I understand it, there is no "title" tag-group and therefore no title in the Naming Structure (although I've see that word in Naming strings that have been suggested). What's up?
The title of a work or CD seems pretty important element, so I'm wondering if the intent is for "Album" to serve as a stand-in for the title of the piece?
Further, I notice that in the online suggestions under the tag icon some of the song titles also contain Name, Genre, and Act, all together in the Title. How/why did those get there? Why not just the song name? (I realize that this info came from other peoples rips, but why/how would "title" accumulate data on genre, and act, etc.in the first place?
I'm confused on this whole title issue.
7. It has been suggested I use different naming strings for classical vs. non-classical. If one rips classical under one Naming string, and NC under a different string, do each of those Naming formats create its own folder-tree in the File Explorer? If not, how to they "interleave" together given that they are different structures?
8. Is it true that dbpa does not intend for users to write their own Naming strings but to always get them from the Forum.? Given that the only way to arrive at the desired folder structure is through trial-and-error, that means repeated experimentation, and that means repeated queries to the Forum. With thousands of users, all experimenting repeatedly to get the job done, that seems like an untenable business model.
There is, indeed, some sketchy info under the "?" symbols, but I find no fundamental tutorial for beginners about how to create meaningful Naming strings. I'm at a loss when it comes to Naming strings.
9. When genre is "classical" or "opera" dbpa presents options for "Work," "Movement number," "movement count," and "Movement name." Are these categories used in the Naming string as are the other categories like composer, artist, etc. or are they simply carried into the listing as additional information?
Is it true that these properties are recognized only by iTunes?
10. When I have a two-disc set, and put each disc in its own folder, as is often recommended, are the two linked in some way so that the player knows to oplay the second disc automatically following the first? I realize the playing of the music is a function of Tags (not naming) but is the sequential playing handled automatically or do I need to link the two disks somehow? Most operas take two or more discs and I'd like to be able to just select the opera by name once, and get all of it.
------------------------------------
Don't forget to open the Overview attachments Part 1, and Part 2.
Comment