
Originally Posted by
artisan002
Yeah. I'm ripping two formats at once. The primary of them is lossless. I thought I covered that earlier, but don't remember now (and should have been asleep hours ago). I've noticed the disparity with HDCD implementation. I personally thought the format was pretty cool; ironic since I hate 32-bit floating point. Since I learned about the format, I've always wondered why it was such a mess. I actually found occasion to mention it in an AES webinar a year and a half ago, and the lead host actually visibly recoiled at it's mentioning and summed it up as "bit packing." Nevertheless I have two or three HDCDs among the totality of my collection. So, it's largely a non-issue here, just a fun oddity.
But, none of this tells me what pre-emphasis is about or specifically what it's doing. LOL!
Now, I am aware that this has not typically been the point or purpose of this forum, anyway. As has been noted, I'm at least currently past most problems (though I'm sure I'll find something else weird later), and am looking for working knowledge on what pre-emphasis is doing and why it's even a thing. I really didn't think that would be so damned difficult to come by, here. Alas, it's been made apparent that this was my key mistake.
Anyway, yeah. That's pretty much where I'm at. Now, once I have time, I will of course play with normal 16 bit rips with and without de-emphasis. And, while 16 bit doesn't fit my circumstantial needs, it will still be of academic value. And unless someone can cite otherwise, there's no reason to think pre-emphasis (coded into the disc) would be different in the decoding stage of this process in relation to whatever format it's saving to after the fact. Saving-encoding to a higher bit format, ideally, shouldn't matter if pre-emphasis/de-emphasis is a fixed value, as there's no change to decibel values instructed there. Buuut, I also know not to rely on logic like that.